Desks
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Stephanie Moussallem, Lebanon, 2020
"Script" desk in wood, brass, and burgundy leather. Designed and made by Stephanie Moussallem, Lebanon, 2020.
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Wendell Castle, USA, 1979-80
Stack-laminated maple desk with leather top and maple stool. Designed and made by Wendell Castle, Scottsville, NY, 1979 and 1980. Desk is signed "W. Castle 79" and stool in signed "W. Castle 80." (Dimensions below are for the desk; stool height is 17.25 in./44 cm. H)
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Ali Tayar, USA, 1999
Painted metal.
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Gerrit Rietveld, Holland, 1935
Produced by Gerard van de Groenekan, Utrecht.
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Ole Wanscher, Denmark, circa 1945.
Lady's Writing Desk with Two Drawers. Made by master cabinetmaker A.J. Iversen. Brazilian rosewood with brass sabots, keyholes, and pulls.
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Pierre Yovanovitch, France, 2017
"Otto" Desk. Solid oak, black patinated steel.
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Bae Se Hwa, Korea, 2011
"Steam 18" desk in walnut. Number 4 from the edition of 4, plus 2 APs.
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Sergio Rodrigues, Brazil, 1960
"Gordon" Desk in jacaranda.
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Charles and Ray Eames, USA, 1951
First edition ESU Desk, Zeeland, Michigan, ca. 1951-52. Birch plywood, laminated plywood, enameled masonite, fiberglass, zinc-plated steel.
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Greta Magnusson Grossman, USA, 1952
Desk in walnut and wrought iron with pencil box and black laminate surfaces.
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George Nelson Associates, USA, circa 1940s
Hanging Desk from the Home Office series, CSS Mount. Produced by Herman Miller
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Joaquim Tenreiro, Brazil, 1950s
Desk in rosewood.
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Sergio Rodrigues, Brazil, 1960
"Itamaraty" desk in solid rosewood. Designed by Sergio Rodrigues, Brazil, 1960, for the government ministries in Brasília.
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Jorge Zalszupin, Brazil, 1970
Large patchwork veneered desk in jacaranda with 2 drawers on each side.
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Sergio Rodrigues, Brazil, 1980
David custom desk in solid Brazilian hardwood.
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Greta Magnusson Grossman, USA, circa 1952
This desk, designed for Glenn of California in 1952, is the epitome of Grossman’s pairing wrought iron details with beautifully figured walnut into a balanced composition. This specific piece is unique in that it does not have the black laminate top normally present in the model, meaning it was a special order and not a production piece. This desk ultimately symbolizes Grossman’s full dive into California modernism while at the same time keeping her particular asymmetric approach. The petite scale suggests this desk was meant for a home, as Grossman was committed to modernizing the home office and worked from home herself.
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Desk in walnut and wrought iron with pencil box. Designed for Glenn of California. -
Joaquim Tenreiro, Brazil, 1950s
Wall-mounted desk in jacaranda. Designed for a private commission in the Flamengo neighborhood of Rio de Janeiro.
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